What does this mean?
How do we articulate what we have learned in recent decades from a "cultural constructionism" of subjectivity and literary canons with aesthetic ecstasy (both the "old" and the "new" aestheticism)? Deleuze's and Derrida's notions of a "dissolved cogito" and "non-egological" consciousness in the context of aesthetic ecstasy. More generally, in what might life "after the subject" consist? A reevaluation of both the continuities and apparent standoff between phenomenology — Husserl, Heidegger, Sartre, Michel Henry — and poststructuralism. I.e., possible revisionary versions of the dominant account of French thought from existentialism to the present. For example, were the French poststructuralists really ever the "constructionists" (still less the "cultural" constructionists) they have been claimed to be? Distinguishing between constructionism's lasting contributions and its simultaneous unwitting complicity with the domination of all life-forms by global capitalism.
The professor who wrote this botched abortion of a paragraph, by the way, is Philip Wood, of Rice University. I'll bet his film classes are a hoot.
Last 5 posts by Patrick Non-White
- The Fur Flies In Jupiter - March 30th, 2016
- Statement Of Dear Leader And In-House Counsel Joel Pollak Denouncing Criminal Acts Of Traitor Fields-Shapiro Gang - March 14th, 2016
- Atlas Mugged - January 28th, 2016
- Successful People Are 100% Convinced That They Are Masters Of Their Own Destiny - December 31st, 2015
- 2015 Person Of The Year: David Brooks - December 30th, 2015